Gotán

o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it but stated: «It necessary to make it». The outcome never screened publicly in Argentina is of a joyous creative freedom a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre a European old man who can play the tunes the bandoneón was made for but who does not know the tango a friends gathering at Antonio Seguí's studio the music of Cuarteto Cedrón hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular unique work.